Download PDF , by Suzanne Brooker
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, by Suzanne Brooker
Download PDF , by Suzanne Brooker
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Product details
File Size: 288965 KB
Print Length: 208 pages
Publisher: Watson-Guptill (August 7, 2018)
Publication Date: August 7, 2018
Sold by: Random House LLC
Language: English
ASIN: B077CQ9TKQ
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Amazon Best Sellers Rank:
#592,122 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
While Suzanne Brooker’s book focuses on landscapes and the natural world, the incomparable value of classical drawing principles is that they can be applied to any subject matter. Beginning with an introduction to materials (graphite pencil is the primary medium used in the book, with brief discussion of colored pencil, charcoal, pastel and water-soluble pencils), Brooker takes the reader through the basic elements of drawing, such as line, value and form, and how specific techniques can be used to express them.For me, the meat of the book begins with Chapter 3, Light Logic and Shading Techniques. Although I have studied the basic principles covered by this chapter several times in other books and classes, and I thought I understood them, Brooker’s explanations helped me to internalize the principles in a way that I hadn’t before.What is “light logic� “The sun touches objects in nature, creating areas of light and shadow in a predictable fashion.†Because the human brain automatically uses light logic to perceive an object, it’s an essential concept for rendering a three-dimensional form realistically. It sounds so simple – the classic drawing exercise of shading a ball or cube lighted from one side – yet it’s not at all easy to apply textbook understanding to real objects that are not balls and cubes. First you have to learn to see the highlight, core shadow and reflected light on an object in space, and then you must transfer that perception to the flat paper. I am still learning to do this, of course (I expect it to be a lifelong challenge), but I have nailed the first step: I can finally see this principle. (Now I can’t walk through a park on a sunny day without seeing core shadows on trees!)Succeeding chapters focus on step-by-step exercises for developing drawings from photo references. Many demos are included, showing various stages of drawing development. Particularly helpful are sections devoted to specific natural elements that make up a landscape, such as sky, terrain, trees and foliage, and water.Throughout the book are many examples of Brooker’s own work and those of her peers, students and classical masters. Even if you never draw, it’s a huge volume of delicious eye candy to savor. But after studying this book, I believe you will draw, because fully understanding these classic principles is likely to reinforce your passion for drawing as it did mine. When I finally grasped concepts that had been only floating peripherally in my brain before, I could not keep myself from putting them into practice.This beautiful book is a reference that I will turn to repeatedly to reinforce and remind me of what I’m learning. It also reminds me of everything I love about drawing. The many exquisite examples in the book show me what’s possible, and the instructions explain why.
Provided great techniques.
This book teaches the basic techniques of drawing and how to apply them to landscape drawing. The author started by talking about the different tools and materials for drawing. She explained various terms and techniques, like foreshortening, perspective, proportion, and such. She also covered the basics like how to hold a pencil, the grid method, composition, light and shading. She talked about how to apply these concepts to a drawing when you begin a drawing.Then she specifically talked about how to draw sky, terrain, trees, and water. In each section, she provided several step-by-step demonstrations showing how to draw different types of clouds, trees, etc. The first part of the book focused on pencil drawing, but she did cover charcoal pencils, colored pencils, and pastel pencils and included one demonstration for each. Overall, I'd recommend this informative book.I received an ebook review copy of this book from the publisher through Netgalley.
I found this book extremely easy to understand and use. The information is practical and illuminating, especially for me. Many times a look at a landscape and just love it - but where to begin? how to interpret it and what mark or stroke will translate what I see on paper. This book goes a long way to answer some of these questions, I particularly love the section on the sky and sea, and the part on foliage is also very good.There is an awful lot of information in this book, some of it basic other more advanced, so whatever your ability this book should satisfy any landscape artist.
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