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Yona Friedman / Pro Domo
Get Free Ebook Yona Friedman / Pro Domo
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Review
A fantastic new hardcover look at Friedman's work, full of images and essays and plans. --Geoff Manaugh, Archinect / BLDGBLOGSelected among 'Most Notable Monographs'. --The Architects Newspaper Bold and entirely sensible. --RIBA Book ReviewThe cover of this monograph on artist/architect/urbanist Yona Friedman provides two snippets of its contents: a portion of the Friedman's 'Warning to the reader' that begins the book and a sketch of his proposal for a 'bridge-town' over the Huangpu River in Shanghai. The text hints not only at the admittedly fragmentary nature of the numerous selections, but also the mix of the serious and levity. This also comes across in the sketch, a serious proposal for something truly fantastical that's illustrated in a cartoonish way that most architects or urbanists would not venture to share to the public. But even though Friedman admits that the book is fragmentary, and the reader doesn't always know whether to take his projects seriously or not, the book (and it is a book) is a cohesive document of Friedman's life. As the cover is presented as a balance of image and text, this is also the case inside. While there are a number of selections (Interview with Myself, United Nations papers) where images cannot be found, the majority of the book is a balance of words and mainly sketches. The latter ultimately wins the battle between the two -- if such a battle were to take place -- because Friedman's sketches, models, diagrams, and numerous cartoons capture the ideas of the designer more than his words can do. The cities raised overhead, the structures infilled by the various occupants over the wishes of architects and planners, the Parisian and other cityscapes montaged with Friedman's megastructures, all of these strike chords in the reader more than the rather dry text. And it's his designs and imagery that hold the book together, both apparently unchanging over the 50+ years (and counting) of Friedman's career. It's quite an interesting story, in pictures. --John Hill, ARCHIDOSE
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Product details
Hardcover: 390 pages
Publisher: ACTAR, Centro Andaluz de Arte Contemporáneo (October 1, 2006)
Language: English
ISBN-10: 8496540510
ISBN-13: 978-8496540514
Product Dimensions:
6 x 1.2 x 8.2 inches
Shipping Weight: 2.4 pounds (View shipping rates and policies)
Average Customer Review:
3.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#936,229 in Books (See Top 100 in Books)
Yona Friedman became familiar within architectural discourse in the mid-1950's when he began questioning bases of modernism. Since then, and still an innovator, he has been nothing if not prolific. Besides publishing texts on architecture and planning (or lack thereof) Friedman has published volumes of work for agencies such as UNESCO and the United Nations, many of them manuals in the form of comics or pictograms which explain techniques for survival to the world's poorest populations. Friedman's latest effort, published by Actar, compiles texts, comics, drawings, models, and even a 'self-interview' in a beautifully bound and printed package. Through reading Pro Domo, we come to understand, though not chronologically, the evolution of the thoughts of a truly innovative thinker.While many architecture monologues attempt to promote new sets of rules or systems by which we (architects) ultimately want the casual user (non-architects) to unwittingly follow, Friedman insists that we should rather lay a framework within which the inhabitants can structure their surroundings however they like. Seemingly counterintuitive, or at least headstrong against the status quo, Friedman's ideas undoubtedly attracted and influenced groups such as Archigram and the Metabolists. His explorations in the realm of infrastructure and its potential are still relevant today, as is obvious while looking through his recent proposals for Paris and Shanghai, as well as by studying projects by contemporary architects such as MVRDV or even Steven Holl.Pro Domo does not necessarily track Friedman's popularly recognized milestones, or a concise evolution of his ideology; rather, it is a compilation of projects, thoughts and moments filled with meaning and sentiment. Just as his Mobile Architecture and Spatial Cities were systems of constructions to be invented and manipulated by and around their inhabitants, this book is a construction based, too, on the personal desires of its creator, affording us the opportunity to act as fascinated spectator.
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